{"id":2255,"date":"2021-12-15T16:00:25","date_gmt":"2021-12-15T15:00:25","guid":{"rendered":"http:\/\/sfej.asso.fr\/?p=2255"},"modified":"2021-12-15T16:00:28","modified_gmt":"2021-12-15T15:00:28","slug":"parution-introduction-a-lesthetique-par-nakai-masakazu","status":"publish","type":"post","link":"http:\/\/sfej.asso.fr\/?p=2255","title":{"rendered":"Parution \/ \u00ab\u00a0Introduction \u00e0 l&rsquo;esth\u00e9tique\u00a0\u00bb (par Nakai Masakazu)"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Titre de l\u2019ouvrage<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Introduction \u00e0 l&rsquo;esth\u00e9tique<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Auteur<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Nakai Masakazu<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Traduction et commentaires<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Michael Lucken<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Maison d\u2019\u00e9dition<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Presses du r\u00e9el<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Date de publication&nbsp;<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">novembre 2021<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Nombre de pages<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">304 p.\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Pr\u00e9sentation<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Premi\u00e8re traduction en fran\u00e7ais d&rsquo;une \u0153uvre du philosophe japonais, ce livre, pens\u00e9 \u00e0 partir de la\u00a0photographie\u00a0et du\u00a0cin\u00e9ma, propose une esth\u00e9tique de la r\u00e9sistance et du rebond indissociable du corps et des luttes qu&rsquo;il implique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;\u0153uvre de Nakai Masakazu (\u4e2d\u4e95\u6b63\u4e001900-1952) offre un nouveau regard japonais sur l&rsquo;art, la technique et le monde contemporain. Loin de tout particularisme culturel et cependant profond\u00e9ment originale par rapport aux conceptions occidentales du beau, Introduction \u00e0 l&rsquo;esth\u00e9tique permet de d\u00e9couvrir un univers sans double-fond, tout en surfaces et reflets, o\u00f9 se rejoignent intimement mat\u00e9rialisme et ph\u00e9nom\u00e9nologie. Pens\u00e9 \u00e0 partir de la photographie et du cin\u00e9ma, en dialogue avec Cassirer, Heidegger, Marx et les auteurs de l&rsquo;\u00c9cole de Francfort, ce livre propose une esth\u00e9tique de la r\u00e9sistance et du rebond indissociable du corps et des luttes qu&rsquo;il implique.\u00a0<br>Traduit du japonais, annot\u00e9 et pr\u00e9sent\u00e9 par Michael Lucken, historien et professeur \u00e0 l&rsquo;Inalco, avec une pr\u00e9face de Carole Maign\u00e9, philosophe et professeure \u00e0 l&rsquo;Universit\u00e9 de Lausanne.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Masakazu Nakai (Nakai Masakazu ou Nakai Sh\u014dichi, 1900-1952) est un\u00a0<a href=\"https:\/\/www.lespressesdureel.com\/index_theme.php?id=8&amp;menu=4\">philosophe<\/a><a href=\"https:\/\/www.lespressesdureel.com\/index_theme.php?id=77&amp;menu=4\">japonais<\/a>, l&rsquo;un des pionniers de la critique des\u00a0<a href=\"https:\/\/www.lespressesdureel.com\/index_theme.php?id=78&amp;menu=4\">m\u00e9dias<\/a>, du\u00a0<a href=\"https:\/\/www.lespressesdureel.com\/index_theme.php?id=16&amp;menu=4\">cin\u00e9ma<\/a>\u00a0et du sport au\u00a0<a href=\"https:\/\/www.lespressesdureel.com\/index_theme.php?id=77&amp;menu=4\">Japon<\/a>. Du fait de ses r\u00e9f\u00e9rences et de sa sensibilit\u00e9 \u2013 il a connu la crise du bouddhisme, la mont\u00e9e du fascisme, la prison, le bombardement de Hiroshima et l&rsquo;occupation am\u00e9ricaine \u2013, il a souvent \u00e9t\u00e9 rapproch\u00e9 de\u00a0<a href=\"https:\/\/www.lespressesdureel.com\/auteur.php?id=4299\">Walter Benjamin<\/a>. Son \u0153uvre a profond\u00e9ment marqu\u00e9 les mouvements de contre-culture des ann\u00e9es 1960.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.lespressesdureel.com\/auteur.php?id=2146\">Michael Lucken<\/a>, professeur \u00e0 l&rsquo;INALCO, est un historien et japonologue fran\u00e7ais. Auteur de la seule monographie en fran\u00e7ais sur Nakai (<em>Nakai Mazakazu \u2013 Naissance de la th\u00e9orie critique au Japon<\/em>, Les presses du r\u00e9el, 2016), il a publi\u00e9 de nombreux travaux sur l&rsquo;histoire culturelle et artistique du Japon au XXe si\u00e8cle. Partisan d&rsquo;une approche esth\u00e9tique de l&rsquo;histoire, il s&rsquo;int\u00e9resse \u00e0 la circulation des formes, aux effets de ressemblances, aux changements de perspective, cherchant ainsi \u00e0 \u00e9prouver les possibilit\u00e9s d&rsquo;une communaut\u00e9 du sens.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sommaire et introduction disponibles sur le site de l&rsquo;\u00e9diteur : <a href=\"https:\/\/www.lespressesdureel.com\/ouvrage.php?id=8494&amp;menu=0\">https:\/\/www.lespressesdureel.com\/ouvrage.php?id=8494&amp;menu=0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Titre de l\u2019ouvrage Introduction \u00e0 l&rsquo;esth\u00e9tique Auteur Nakai Masakazu Traduction et commentaires Michael Lucken Maison d\u2019\u00e9dition Presses du r\u00e9el Date de publication&nbsp; novembre 2021 Nombre de pages 304 p.\u00a0 Pr\u00e9sentation Premi\u00e8re traduction en fran\u00e7ais d&rsquo;une \u0153uvre du philosophe japonais, ce&hellip;&nbsp;<a href=\"http:\/\/sfej.asso.fr\/?p=2255\" class=\"more-link\">Lire la suite<\/a><\/p>\n","protected":false},"author":3,"featured_media":2256,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[28,2],"tags":[],"class_list":["post-2255","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-publications"],"_links":{"self":[{"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/posts\/2255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2255"}],"version-history":[{"count":1,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/posts\/2255\/revisions"}],"predecessor-version":[{"id":2257,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/posts\/2255\/revisions\/2257"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/media\/2256"}],"wp:attachment":[{"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2255"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}