{"id":2964,"date":"2022-06-27T15:59:04","date_gmt":"2022-06-27T13:59:04","guid":{"rendered":"http:\/\/sfej.asso.fr\/?p=2964"},"modified":"2022-06-27T16:01:00","modified_gmt":"2022-06-27T14:01:00","slug":"colloque-bande-dessinee-en-asie-orientale","status":"publish","type":"post","link":"http:\/\/sfej.asso.fr\/?p=2964","title":{"rendered":"[Colloque] \u00ab Bande dessin\u00e9e en Asie Orientale \u00bb (16 septembre 2022)"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Argumentaire<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Colloque organis\u00e9 par Julien Bouvard, Norbert Danysz et Marie Laureillard \u00e0 la MILC, 35 rue Raulin, 69007 Lyon, le 16 septembre 2022, avec le soutien de l\u2019IETT et de l\u2019IAO.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dans la continuit\u00e9 du premier colloque BDAO (Bande Dessin\u00e9e en Asie Orientale) qui s\u2019est tenu les 14-15 octobre 2021 au Mus\u00e9e du Quai Branly et \u00e0 l\u2019ENS de Lyon, cette seconde \u00e9dition du colloque pr\u00e9vue le 16 septembre 2022 vise \u00e0 d\u00e9centrer la recherche sur la bande dessin\u00e9e en Occident ainsi qu\u2019\u00e0 \u00e9largir les discours port\u00e9s sur le manga japonais \u00e0 d\u2019autres traditions de l\u2019Asie orientale.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le colloque 2022 poursuit son exploration des bandes dessin\u00e9es est-asiatiques selon les deux axes propos\u00e9s pour 2021, historique et formel. Les communications 6 \u00e0 9 reviennent sur l\u2019histoire du m\u00e9dium \u00ab&nbsp;bande dessin\u00e9e&nbsp;\u00bb, sur les conditions de son \u00e9mergence, ses \u00e9volutions et ses possibles coups d\u2019arr\u00eat. Elles se penchent sur les transformations historiques de la BD selon des approches diverses&nbsp;: stylistiques, g\u00e9n\u00e9riques ou encore attach\u00e9es \u00e0 la production et la diffusion du m\u00e9dium. Les communications 10 \u00e0 12 reviennent sur les enjeux formels de la bande dessin\u00e9e, tant du point de vue de ses mat\u00e9rialit\u00e9s changeantes (questions des techniques et des supports) que du point de vue d\u2019une interm\u00e9dialit\u00e9, d\u2019un dialogue entre les arts et les disciplines. Enfin, outre ses deux angles d\u2019analyse, le colloque 2022 se penchera davantage que l\u2019an dernier sur la question des circulations inter-asiatiques. Les communications 2 \u00e0 5, ainsi que la conf\u00e9rence de l\u2019invit\u00e9 d\u2019honneur Christoph Harbsmeier, se concentrent sur les points de rencontre entre les traditions graphiques nationales, explorant les possibles hybridations et m\u00e9tissages, soit entre deux territoires diff\u00e9rents, soit \u00e0 l\u2019\u00e9chelle de l\u2019Asie orientale dans son ensemble. En insistant sur les voisinages entre les bandes dessin\u00e9es est-asiatiques, le colloque r\u00e9active aussi le concept englobant de&nbsp;<em>Mangasia<\/em>&nbsp;propos\u00e9 par Paul Gravett (Hors Collection, 2017) et cherche \u00e0 appr\u00e9hender la bande dessin\u00e9e en Asie de l\u2019est comme un objet complet.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En plus des communications transnationales portant sur le Japon, la Chine, Ta\u00efwan, ou l\u2019Asie en g\u00e9n\u00e9ral, les interventions cibl\u00e9es sur un pays particulier se concentrent sur la Chine (3), le Japon (2) et la Cor\u00e9e (2).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La journ\u00e9e de colloque aura lieu dans le grand amphith\u00e9\u00e2tre de la MILC (Lyon 2, Lyon 3), 35 rue Raulin, le&nbsp;<strong>vendredi 16 septembre 2022, de 9h \u00e0 18h<\/strong>. Certaines interventions se feront virtuellement et l\u2019int\u00e9gralit\u00e9 de l\u2019\u00e9v\u00e9nement sera accessible en ligne.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les personnes participant au second colloque BDAO ont \u00e9t\u00e9 pri\u00e9es de remettre leur article pour le 31 ao\u00fbt 2022, afin de mener la publication de cette seconde \u00e9dition conjointement \u00e0 celle de la premi\u00e8re en 2021. Une partie des articles sera publi\u00e9e dans un num\u00e9ro sp\u00e9cial de la revue&nbsp;<em>International Journal of Comic Art<\/em>, l\u2019autre partie dans un ouvrage collectif pr\u00e9vu aux \u00e9ditions H\u00e9misph\u00e8res-Maisonneuve (un tiers du financement \u00e0 la publication de l\u2019ouvrage a d\u00e9j\u00e0 \u00e9t\u00e9 vers\u00e9 par le laboratoire junior&nbsp;<em>Pratiques de la modernit\u00e9 en Chine<\/em>&nbsp;en novembre 2021).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pour la tenue du colloque en septembre 2022, Julien Bouvard a fait deux demandes de subvention de 600 Euros chacun, aupr\u00e8s du Service de la recherche de Lyon 3 et de son laboratoire, l\u2019IETT.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Comit\u00e9 d\u2019organisation<\/em><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Julien Bouvard (MCF, Lyon 3, IETT)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Norbert Danysz (Doctorant, Lyon 2, IAO)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marie Laureillard (MCF HDR, Lyon 2, IAO, IFRAE)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Les horaires sont donn\u00e9es en GMT+1 \/ Times are given in CET<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>9h-10h<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Conf\u00e9rence Inaugurale&nbsp;&nbsp;&nbsp;<em>Keynote Speaker<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Christoph Harbsmeier<\/strong>&nbsp;(Professeur \u00e9m\u00e9rite de l\u2019Universit\u00e9 d\u2019Oslo)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>La naissance de la caricature chinoise dans l\u2019esprit de l\u2019art japonais&nbsp;<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Discutant&nbsp;: Marie Laureillard<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Panel 1 \u2013 Circulations intra-asiatiques&nbsp;;&nbsp;<em>Intra-Asian Circulations<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Pr\u00e9sid\u00e9 par&nbsp;;&nbsp;<em>Chaired by<\/em>&nbsp;Corrado Neri<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>10h30-10h50<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Roman Rosenbaum<\/strong>&nbsp;(Honorary Associate, University of Sydney)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Asian comics in Australia and by extension the notion of Australasian comics&nbsp;<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>10h50-11h10<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Paul Narjoz-Delatour<\/strong>&nbsp;(Doctorant, Universit\u00e9 Paris 1 Panth\u00e9on Sorbonne)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>L\u2019androgyne dans la bande dessin\u00e9e chinoise<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>11h10-11h30<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Zhuang Muyang<\/strong>&nbsp;(PhD Candidate, Hong Kong University of Science and Technology)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Manhua<em>, Rural China, and Wartime Sino-Japanese Collaboration, 1937\u20131945<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>11h30-11h50<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Alexandre Georges<\/strong>&nbsp;(Masterant, Universit\u00e9 Jean Moulin Lyon 3, NTU&nbsp;?)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Chen Uen : la bande dessin\u00e9e ta\u00efwanaise entre Chine, Hong Kong, Japon et \u00c9tats-Unis<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>11h50-12h20<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Discussion<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Panel 2 \u2013 Enjeux formels&nbsp;;&nbsp;<em>Formal Issues<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Pr\u00e9sid\u00e9 par&nbsp;;&nbsp;<em>Chaired by<\/em>&nbsp;Pascal Robert&nbsp;?<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>12h30-12h50<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Lucie Angheben<\/strong>&nbsp;(Enseignante, Universit\u00e9 de la Nouvelle Cal\u00e9donie)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>La transmission du bouddhisme par l\u2019image&nbsp;: perspectives didactiques de la bande dessin\u00e9e pour enseigner la civilisation cor\u00e9enne&nbsp;<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>13h-14h30<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">D\u00e9jeuner&nbsp;<em>Lunch<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>14h30-14h50<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Suk-Hee Joo<\/strong>&nbsp;(Ma\u00eetresse de Langue, Paris Inalco)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Le&nbsp;<\/em>manhwa<em>&nbsp;comme paradigme fictionnel : du&nbsp;<\/em>webtoon<em>&nbsp;\u00e0 la s\u00e9rie t\u00e9l\u00e9vis\u00e9e cor\u00e9enne&nbsp;<\/em>Extraordinary You<em>&nbsp;(<\/em><em>\uc5b4\uca4c\ub2e4<\/em>&nbsp;<em>\ubc1c\uacac\ud55c<\/em>&nbsp;<em>\ud558\ub8e8<\/em><em>)<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>14h50-15h10<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Freya Terryn<\/strong>&nbsp;(Postdoctoral Fellow, Katholieke Universiteit Leuven)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>The duality of&nbsp;<\/em>manga<em>&nbsp;in the work of Tsukioka Yoshitoshi<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>15h10-15h40<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Discussion<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Panel 3 \u2013 Histoire du m\u00e9dium&nbsp;;&nbsp;<em>History of the Medium<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Pr\u00e9sid\u00e9 par&nbsp;;&nbsp;<em>Chaired by<\/em>&nbsp;Julien Bouvard ?<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>16h-16h20<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Xavier H\u00e9bert<\/strong>&nbsp;(Enseignant, Paris)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Origines esth\u00e9tiques du manga moderne : style Tezuka contre style r\u00e9aliste<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>16h20-16h40<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Rebecca Scott<\/strong>&nbsp;(Teaching Associate, University of Nottingham)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Marketing Propaganda and \u2018Reading Tutorship\u2019 in the Early PRC: Regulating the Distribution of&nbsp;<\/em>Lianhuanhua<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>16h40-17h<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Virginia L. Conn<\/strong>&nbsp;(Lecturer, Stevens Institute of Technology)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Futur Ant\u00e9rieur: Revolutionary-Era Comics and the Future that Never Was<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>17h-17h20<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Chihho Lin<\/strong>&nbsp;(PhD Candidate, University of California San Diego)<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Containing the Imperialists in&nbsp;<\/em>Lianhuanhua<em>&nbsp;Comics:&nbsp;<\/em>Railroad Guerrillas<em>&nbsp;and the Construction of the National Form<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>17h20-17h50<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Discussion<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Programme ici :&nbsp;<a href=\"https:\/\/ceei.hypotheses.org\/files\/2022\/06\/2022-Programme-Planning.docx\">2022 Programme \u2013 Planning<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Liste des r\u00e9sum\u00e9s :&nbsp;<a href=\"https:\/\/ceei.hypotheses.org\/files\/2022\/06\/2022-Programme-Liste-re%CC%81sume%CC%81s-par-panel.docx\">2022 Programme \u2013 Liste r\u00e9sum\u00e9s par panel<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Argumentaire Colloque organis\u00e9 par Julien Bouvard, Norbert Danysz et Marie Laureillard \u00e0 la MILC, 35 rue Raulin, 69007 Lyon, le 16 septembre 2022, avec le soutien de l\u2019IETT et de l\u2019IAO. Dans la continuit\u00e9 du premier colloque BDAO (Bande Dessin\u00e9e&hellip;&nbsp;<a href=\"http:\/\/sfej.asso.fr\/?p=2964\" class=\"more-link\">Lire la suite<\/a><\/p>\n","protected":false},"author":3,"featured_media":2965,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"categories":[28,8],"tags":[],"class_list":["post-2964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-concours"],"_links":{"self":[{"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/posts\/2964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2964"}],"version-history":[{"count":2,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/posts\/2964\/revisions"}],"predecessor-version":[{"id":2967,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/posts\/2964\/revisions\/2967"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=\/wp\/v2\/media\/2965"}],"wp:attachment":[{"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2964"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sfej.asso.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}